Tuesday, July 25, 2017

SRIMAD MAHABHARATA - AADI PARVA - SAMBHAVA (UPA) PARVA - PART 136


“Vaishampaayana said, ‘O you of Bharata's race (Janamejaya), O monarch, seeing the sons of Dhritarashtra and Pandu accomplished in weapons, Drona addressed king Dhritarashtra, in the presence of Kripa, Somadatta (son of Baahlika), Baahlika (Baahlika is the elder brother of Shantanu who is the father of Bhishma), the wise Gaangeya (Bhishma), Vyasa, and Vidura, and said, ‘O best of Kuru kings (Dhritarashtra), your children have completed their education. O king (Dhritarashtra), with your permission let them now show their proficiency.’

“Hearing him, the king (Dhritarashtra) said with a gladdened heart, ‘O best of Brahmanas (Drona), you have, indeed, accomplished a great deed. Command me yourself as to the place and the time where and when and also the manner in which the trial may be held. Grief arising from my own blindness makes me jealous those who, blessed with sight, will see my children's prowess in weapon. O Kshatri (Vidura), do all that Drona says. O you devoted to Dharma, I think there is nothing that can be more agreeable to me.’

“Then Vidura, giving the necessary assurance to the king (Dhritarashtra), went out to do what he was commanded. Drona endued with great wisdom, then measured out a piece of land that was without any trees, thickets and furnished with wells and springs. Upon the spot of land so measured out, Drona, that first of men of expression, selecting a lunar day (Thithi in Sanskrit) when the star ascendant was auspicious, offered up sacrifice (Bali in Sanskrit) to Devas in the presence of the citizens assembled by order to witness the same. O bull among men (Janamejaya), then the architects of the king (Dhritarashtra) built on a large and elegant stage according to the rules laid down in the Shastras, and it was furnished with all kinds of weapons. They also built another elegant hall for the lady-spectators. The citizens constructed many platforms while the wealthier of them pitched many spacious and high tents all around.

When the day fixed for the Tournament came, the king (Dhritarashtra) accompanied by his ministers, with Bhishma and Kripa, the foremost of Gurus, walking ahead, came to that theatre of almost divine beauty constructed of pure gold, and decked with strings of pearls and stones of lapis lazuli (Vaidurya in Sanskrit). O first of victorious men (Janamejaya), Gandhari blessed with great good fortune and Kunti, and the other ladies of the royal house-hold, in gorgeous attire and accompanied by their waiting women, joyfully ascended the platforms, like divine ladies ascending the Sumeru mountain. The four varnas including the Brahmanas and Kshatriyas, desirous of seeing the princes' skill in arms, left the city and came running to the spot. So impatient was every one to see the spectacle, that the vast crowd assembled there in almost a moment. With the sounds of trumpets and drums and the noise of many voices, that vast assembly appeared like an agitated ocean.

“At last, Drona accompanied by his son (Ashwatthaama), dressed in white (attire), with a white sacred thread, white locks, white beard, white garlands, and white sandal-paste rubbed over his body, entered the tournament area. It seemed as if the Moon (Chandra) himself accompanied by the planet Mars (Angaaraka) appeared in an unclouded sky. On entering Bharadwaja (Drona) performed timely worship and caused Brahmanas versed in mantras to celebrate the auspicious rites. After auspicious and sweet-sounding musical instruments had been struck up as a satisfactory ceremony, some persons entered, equipped with various weapons. Then having encircled up their loins, those mighty warriors, those foremost ones of Bharata's race (the princes) entered, furnished with finger-protectors (armoured gloves), bows, and arrow baskets. With Yudhishthira at their head, the brave princes entered in order of age and began to show wonderful skill with their weapons.

“Some of the spectators lowered their heads, expecting fall of arrows while others fearlessly gazed on with wonder. Riding swiftly on horses and managing them with ease of hands the princes began to hit marks with arrows engraved with their respective names. Seeing the capability of the princes armed with bows and arrows, the spectators thought that they were seeing the city of the Gandharvas, became filled with amazement.

“O Bharata (Janamejaya), all on a sudden, some hundreds and thousands, with eyes wide open in wonder, exclaimed, ‘Well done! Well done!’ Having repeatedly displayed their skill and talent in the use of bows and arrows and in the management of chariots, the mighty warriors took up their swords and shields, and began to come around the tournament area, playing their weapons. The spectators saw (with wonder) their ability to move quickly, the symmetry of their bodies, their grace, their calmness, the firmness of their grasp and their talent in the use of sword and shield.

“Then Vrikodara (Bhimasena) and Suyodhana (Duryodhana), internally delighted (at the prospect of fight), entered the arena, mace (Gada in Hindi) in hand, like two single-peaked mountains. Those mighty-armed warriors supported their loins, and summoning all their energy, roared like two maddened elephants struggling for a cow-elephant; and like two maddened elephants those mighty heroes faultlessly (in consonance with the rules of Dhanurveda) careered right and left, circling the tournament area. Vidura described to Dhritarashtra and the mother of the Pandavas (Kunti) and Gandhari, all the feats of the princes.’”


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